VIRTUȚI EXPRESIVE ÎN OPERA LUI ION SIMIONESCU
Keywords:
natural sciences, botany, zoology, scientific style, style markersAbstract
Ion Th. Simionescu (1873-1944) stands as one of Romania’s foremost contributors to the development of the natural sciences, distinguished not only by his scientific research but also by his remarkable literary artistry. The present study aims to elucidate several
enduring expressive features that characterize scientific writing prior to the outbreak of the Second World War, with particular focus on Simionescu’s extensive body of work. His prolific output, encompassing over 1700 publications in Romanian, French, and German, ranges from academic treatises to popular science literature, pedagogical texts, and literary essays.
While his scientific writings reflect the precise, methodical style typical of the 19th-century scientific revolution, his popular science works are distinguished by vivid imagery, narrative dynamism, and a rich tapestry of cultural references. Drawing parallels with
influential figures such as Eduard Suess, Alexander von Humboldt, and Jean-Henri Fabre, this article situates Simionescu within a tradition of scholar-writers who seamlessly fuse rigorous scientific inquiry with aesthetic expression. Simionescu bridges scientific discourse and artistic eloquence, employing devices such as dramatized prose, metaphor, amplification, and folkloric motifs to render complex natural phenomena both accessible and engaging for a broad audience. His writings reflect a deep cultural erudition, integrating mythological, religious, folkloric, and literary allusions to enrich scientific exposition. Furthermore, the study highlights compositional continuities between Simionescu’s works and those of prominent European scientists, underscoring shared rhetorical and stylistic strategies rooted in Enlightenment ideals. Despite his monumental contributions, Simionescu’s legacy remains insufficiently explored within contemporary scholarship. His oeuvre exemplifies a vision of science as not merely an accumulation of empirical data, but as an aesthetic and cultural enterprise, deeply intertwined with humanistic values.